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([personal profile] pimpinett Feb. 4th, 2009 12:48 am)
Just finished a new warm winter cap, my old one is very shabby and not that warm either.
This new one is made to match the fantastic vintage jacket I got before Christmas - I don't know if I mentioned that. First time I've bought a vintage suit and been able to wear both the jacket and the skirt without alterations. I have had a hard time dating it, I'm leaning towards high quality 70's (the lining has fusible interfacing and overlocked edges, the buttons are undersewn and rounded, vaguely military-inspired in metal painted black, and the collar points are insane) but the cut might be late 40's/early 50's just as well. The tags in it look older, the zipper in the skirt is the vintage, heavy-duty metal kind, the button in the skirt is an older plastic one, and the quality of the pieces and the level of work that has gone into it is not that common in off-the-rack garments made after the 60's (the collar is stuffed with horsehair, for instance).

Not that it matters, it is beautiful, especially the jacket, which has a couple of inverted box pleats at the center back accented with two buttons, like on an old frock coat and it fits as if it was made for me, in spite of being ready-made. No lapels, just a large collar with exaggerated points. The skirt is a wide, flared model with lots of panels in that difficult mid-calf length, both of them executed in a thick, black wool coating. I have been wearing the jacket a lot the last couple of months, it's very warm and looks good with practically everything I wear. I don't love that type of wide skirt,  and the length makes me feel stumpy, but it's a very comfy skirt, so it has been in circulation a little too.

The cap is a similar fabric, as similar to the jacket as I could find. Keeping my fingers crossed that it will not wear and age dramatically differently, but it doesn't matter a lot anyway. There's enough for a pencil skirt too, hopefully with a couple of inverted box pleats in the back like the jacket.



That's how I keep them in place, by the way, huge hair pin (groß Frieda!) skewered through my bun and a clip or barrette on the inside of the cap further to the front - I can headbutt someone with one of these caps on and it won't budge.
A has the good camera, getting something remotely useful out of the bad camera in indoor light was a bit of a challenge, but it is a couple of pictures, at least - far more than I manage of most of my projects these days.

From: [identity profile] pimpinett.livejournal.com


Yes, it would be interesting to have more opinions on it - I'll try to do that. The buttons may have been replaced at some point, of course, and it is technically quite possible that a garment from around 1950 could have overlocked edges, but it's not very common, in my experience. I had a closer look at the interfacing and I don't think it is actually heat fused, it just has that fuzzy feel that fusibles tend to get when they are old, worn and have been washed a few times. It's a woven, too.

The cut of the skirt is the kind that might be a mid- to late 70's flared midi skirt as well as a New Look kind of skirt, and I suppose the same goes for the jacket, since it's pretty fanciful and anachronistic for either period. It has a defined waist and lots of emphasis on the hips and butt, with big decorative pocket flaps and some extra flare in the front, and all that extra width from the waist down in the back. Not the rounded curves that I would normally expect from a 50's suit jacket, though.
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